I am also pleased to announce that after much demand, the app has now also been released for mac desktop! To download, click the link here to go to the Mac App Store.

There are plans to release this app for the PC platform very soon, more news to follow…

Featuring over 50 exercises, 20 high quality video demonstrations and over 25,000 words of detailed explanations including a section on how to practice along with all relevant theory, this app covers the legato, two-handed tapping, alternate picking and sweeping techniques – an essential resource for all students and fans of legendary modern rock players such as Eddie Van Halen, Randy Rhoads, Steve Vai, Joe Satriani, Yngwie Malmsteen, Vinnie Moore, Tony Macalpine, Jason Becker, John Petrucci and Paul Gilbert.

Featuring a fully interactive interface with all the practice tools you need, including a metronome, timer, looper, tablature and video player. There is also a dedicated practice section where you can save your favourites, and start building your own custom routines based on your goals and available practice time.

Unique scale generators present both the 7-position/3-notes-per-string scale forms, as well as the more traditional 5-position or CAGED/EDCAG system. With a host of interactive on-screen buttons to switch from position to position, or to view any position from any modal perspective, all scale and arpeggios are viewable either as note names, intervals or fingerings. The layered design of the CAGED system generators will enable you to toggle through, clearly seeing the chord/scale relationships, as well as easily identifying the additional modal notes within the familiar pentatonic frameworks.

Aimed at intermediate to advanced students and players who are looking to develop and maintain their technical skills and knowledge within the modern rock style, this app presents a progressive roadmap with advanced concepts approached by building key underlying skills.

Take your playing to the next level with Modern Rock Guitar – the most comprehensive lead guitar course out there.

I took a trip over to the Lick Library/Guitar Interactive Magazine HQ in Romford, Essex for the first video recording session earlier this month, special thanks to Levi Clay, Kim, James and Rich for making me feel welcome. Great studio and camera/recording gear, a little more elaborate than what i’m used to in my own environment! I decided to take my Axe FX II and Ibanez J CRG-2 TB,  which I’ve just had a set of Bare Knuckle VH IIs and a 63 Veneer Board installed and which sounded great, although i used the bridge pick up only for the session to get a more cutting Vai-ish legato tone! After a full day session I managed to finish the solo study along with the first three legato lessons. Rock! The first article should be published in a month or so, stay tuned for news!

Featuring over 50 exercises, 20 high quality video demonstrations and over 25,000 words of detailed explanations including a section on how to practice along with all relevant theory, this app covers the legato, two-handed tapping, alternate picking and sweeping techniques – an essential resource for all students and fans of legendary modern rock players such as Eddie Van Halen, Randy Rhoads, Steve Vai, Joe Satriani, Yngwie Malmsteen, Vinnie Moore, Tony Macalpine, Jason Becker, John Petrucci and Paul Gilbert.

Featuring a fully interactive interface with all the practice tools you need, including a metronome, timer, looper, tablature and video player. There is also a dedicated practice section where you can save your favourites, and start building your own custom routines based on your goals and available practice time.

Unique scale generators present both the 7-position/3-notes-per-string scale forms, as well as the more traditional 5-position or CAGED/EDCAG system. With a host of interactive on-screen buttons to switch from position to position, or to view any position from any modal perspective, all scale and arpeggios are viewable either as note names, intervals or fingerings. The layered design of the CAGED system generators will enable you to toggle through, clearly seeing the chord/scale relationships, as well as easily identifying the additional modal notes within the familiar pentatonic frameworks.

Aimed at intermediate to advanced students and players who are looking to develop and maintain their technical skills and knowledge within the modern rock style, this app presents a progressive roadmap with advanced concepts approached by building key underlying skills.

Take your playing to the next level with Modern Rock Guitar – the most comprehensive lead guitar course out there, designed exclusively for iPad and available now from the itunes app store.

This solo takes influence from the Thrash metal style, which gained popularity from the early-mid 1980s with bands like Metallica, Slayer, Megadeth and Anthrax. Based around an uptempo 8th note feel with a choppy down-stroke riff, the solo combines some blues-based E minor pentatonic ideas, with some more modern sounding E Dorian 3-notes-per-string scalar runs. Throughout the solo there is an emphasis on accurate bending and wide vibrato, along with a focus on alternate picking, rapid fire pentatonic repetitions and legato. Gear wise, i used my Ibanez J Custom, which can be seen as the first guitar here on the gear page, going into the Axe-FX II and set up with a Brit Super (Marshall AFD100)/Tubescreamer type sound, with the Matrix GT1000FX poweramp and CFR12′s for monitoring. The sound also output from the Axe into an Apogee Ensemble soundcard straight to a mac running Logic. All video done with a Canon 60D and then into FCPX.

This solo takes influence from the neo-classical rock style, which gained popularity from Yngwie Malmsteen’s groundbreaking 1984 debut, Rising Force. From the mid to late-1980s, this fast melodic style gained popularity on the guitar instrumental scene, with players such as Vinnie Moore, Tony Macalpine, Paul Gilbert, Jason Becker and Marty Friedman developing the new modern rock techniques to their highest levels. Based around the A harmonic minor scale/E Phrygian dominant mode, the solo features alternate picking and sweeping techniques along with an emphasis on accurate bending and vibrato. Gear wise, i used my customised Tokai 1984 Goldstar, which can be seen as the fifth guitar down here on the gear page, going into the Axe-FX II and set up with a Brit Super (Marshall AFD100)/Tubescreamer type sound, with the Matrix GT1000FX poweramp and CFR12′s for monitoring. The sound also output from the Axe into an Apogee Ensemble soundcard straight to a mac running Logic. All video done with a Canon 60D and then into FCPX.